35mm and smaller overhead film scanning: to 47 megapixels (3:2), bayer or true colour (RGB at each photo-site), RAW + 16bit Adobe or ProPhoto RGB TIFF - negative film delivered as unreversed (RAW) + reversed (TIFF)
Medium and large format overhead film scanning: up to 187 megapixels, true colour, RAW + 16bit Adobe or ProPhoto RGB TIFF. Stitching possible with large format, to increase resolution to circa 300 megapixels or larger. Wet-mounting possible
Legacy film or plate processes same as above, adapted to each medium
Scanning: film and translucent legacy processes (older film formats, plates, lantern slides, autochromes)
Even, high-index lighting; absolute flatness and parallelism; calibrated workflows; corner-to-corner consistency and uniformity; no vignetting; very high fidelity; on-site possible; bespoke configurations possible
Overhead capture of smaller opaques up to A3 size (printed photographs, drawings, etc)
Conservation compliant flattening; even, high-index lighting, flat-field correction, stitching possible, to increase spatial resolution xxxxxxxxxxxxxxxx
Existing or natural light photographs of cultural heritage artefacts in-situ
at 100 megapixels bayer/true colour or 187 megapixels true colour, depending on specification and object/light conditions
In-situ digital capture of 2D works of art with controlled lighting
Miguel Rodrigues, Untitled, 1996. Medium format '67' transparency. © Miguel Rodrigues. Untitled, author and date unknown. UK standard (3.5") photographic lantern slide. © William Morris Society
Noémia Delgado, Untitled, black ink on paper, 1956. Two-part seamless stitch. © Centro de Documentação e Informação Cinemateca Portuguesa Museu do Cinema